Tech

Can AI Arrange Flowers Better Than a Florist?

An OpenAI demonstration for government defenders led to an unexpected experiment at my flower table—and a clearer view of what artificial intelligence can and cannot contribute to creative work.

Atelier Ashley Flowers in buckets for Ai experiment
Atelier Ashley Flowers in buckets for Ai experiment. Photo: Ashley Greer

ALEXANDRIA, VA — On the second day of the Billington CyberSecurity Summit, I attended a workshop called “Frontier AI for Cyber Defense: OpenAI’s Perspective and Live Demo for Government Defenders,” presented by Felipe Millon and Patrick Falvey. The room was focused on high-stakes questions: how frontier models can help defenders detect threats, understand complex information and act faster.

After the demonstration, I waited around to ask Millon a question: How could I best apply ChatGPT to my flower business, Atelier Ashley Flowers?

He loved that I was a florist. (Most people who work in corporate or defense love meeting a real-life florist.) The timing was particularly good because ChatGPT had just updated its image capabilities and had specifically used flower arranging in its latest advertisement.

Millon showed me the ChatGPT Images 2.0 commercial, where a woman dropped a loose bunch of flowers onto a table, photographed them and asked for ideas for an arrangement that would feel “classic, but a little wild.” The loose flowers were instantly translated into several different design possibilities using those same flowers.

I was going to have to try it for myself.

Atelier Ashley Flowers Pile of Blooms for Ai Experiment
Atelier Ashley Flowers Pile of Blooms for Ai Experiment. Photo: Ashley Greer

From a Pile of Stems to Three Points of View

When I got back to my studio, I gathered a big pile of flowers I planned to use for three designs for one of my favorite clients. I would make the arrangements, photograph them and finish my “real work.” Then I could go home and reward myself by testing ChatGPT Images 2.0.

My first query was general: Based on these flowers, make me three different designs.

It thought for a little over a minute and returned three arrangements in brass footed vases.

Interesting.

ChatGPT Images 2.0 Flower Design in Footed Vase Bowl
ChatGPT Images 2.0 Flower Design in Footed Vase Bowl. Photo Collab: ChatGPT and Ashley Greer

Now I wanted to make it more specific.

I showed ChatGPT photographs of the actual vases and bases I had used, before adding any flowers. For each one, I asked it to show me three versions: round and tight, round and bouncy/wild, and wild and asymmetrical.

Vases and Bases for AI experiment
Vases and Bases for AI experiment. Photo: Ashley Greer

I also told it to remove the dahlias and phalaenopsis orchids because I had ultimately decided not to use them.

The generated images were polished provocations, several possible outcomes made visible before I cut a single stem.

ChatGPT X Atelier Ashley Flowers in cylider with leaf wrap.
ChatGPT X Atelier Ashley Flowers in cylider with leaf wrap.
ChatGPT X Atelier Ashley Flowers in footed glass vase
ChatGPT X Atelier Ashley Flowers in footed glass vase
ChatGPT x Atelier Ashley Flowers in cube.
ChatGPT x Atelier Ashley Flowers in cube.

Time to show it what I could do

Next, I showed ChatGPT the arrangements I had actually created and enjoyed the flattery of being told that my designs were far superior to its renderings.

It went on to describe how my arrangements differed in balance, density, movement and mood. The exchange had reversed: first I asked the model to visualize my instructions; then I asked it to look at my decisions and explain what I had done.

Atelier Ashley Flowers Original Designs
Atelier Ashley Flowers Original Designs. Photo: Ashley Greer

For an experienced designer, that kind of analysis can put language around instinctive choices. For a student, it could help develop a vocabulary for discussing form. For a client, it could make the difference between saying, “I like that one,” and understanding that she prefers compact formality, garden movement or sculptural asymmetry.

I also asked ChatGPT to identify the flowers in my finished arrangements without giving it a materials list. It did a fairly decent job considering I used some obscure varieties.

I could easily see myself building a library of blooms and using this technology to streamline proposals.

And there is much further I could take ChatGPT inside my Atelier. I could feed it my invoices and overhead, labor costs and delivery information. It could help with routing, pricing and margins in ways that are simply not my particular area of expertise. That will come in time, and my business will likely be healthier for it.

But you don’t have to be a florist to experiment with this.

Say you go to Trader Joe’s, and if you see me there, just pretend you don’t, and you’re trying to decide which flowers to buy. Take a photograph of a few bunches and ask ChatGPT to show you what they might look like together. Then ask, “If you added one flower or color, what would it be?” Or, “If you took one away, what would it be?”

And now everyone is a florist.

You might think that would bother me. After more than 20 years of education and dedication to my craft, shouldn’t I be worried that technology can make some part of it instantaneous? Make me irrelevant or obsolete?

I’m not.

Flowers, even Trader Joe’s flowers, are expensive. They take time to arrange, and for an amateur, sometimes a lot of time. Many of my clients are busy. They want to enjoy beauty without having to work for it, and that is a service I provide. Alot of them also take pride and pleasure in supporting a human artist, in participating in the patronage of more beauty.

Besides, my personal philosophy has always been that everyone should have flowers.

Flowers make everything better.

Ashley Greer

Ashley Greer is a writer, floral designer, and geopolitical analyst whose work explores the intersection of culture, power, perception, and storytelling. She is the owner of Atelier Ashley Flowers, an invitation-only floral boutique known for immersive, one-of-a-kind floral installations, and the co-founder and creative visionary behind Art in Bloom DC, an annual exhibition pairing floral design with fine art. Raised with a deep connection to nature, Ashley spent her childhood building imaginary worlds outdoors—digging in the dirt, wandering through the woods, and creating spaces of beauty and wonder from the plants and trees around her. That same spirit continues to shape her creative philosophy today. As an artisan florist, she views flowers, foliage, and natural materials as transformative tools capable of creating intimate, emotionally resonant experiences. Each arrangement she designs is intended as a fleeting work of ephemeral fine art—crafted uniquely for the individual receiving it. A graduate of Pomona College, Ashley earned a degree in Art History with a minor in Media Studies in 2006. She spent more than two decades as an entrepreneur, creative director, and floral designer before expanding into journalism, strategic communication, and geopolitical analysis. Ashley is also the founder and editor of MetaFleurs News, a media platform dedicated to exploring the intersection of culture, politics, technology, and power. Drawing on her background in aesthetics, symbolism, media strategy, and visual storytelling, her writing examines political theater, military imagery, information warfare, perception management, and the narratives modern powers use to shape influence. Her reporting and commentary frequently focus on US-China-Taiwan relations, emerging technologies, military visual culture, nuclear energy, quantum science, extraterrestrial life, and the strategic importance of space exploration. At the same time, she has increasingly turned her attention to local journalism, writing feature stories on Alexandria community members, artists, small businesses, charitable initiatives, and cultural events, highlighting the people and moments that shape the character of the city she calls home. Ashley approaches both geopolitical analysis and community storytelling through the same lens: a belief that narrative, symbolism, and human connection shape how people understand the world around them. A mother of a 10-year-old and an active member of the Washington, D.C. spoken word community, Ashley continues to build her portfolio as a freelance writer while expanding MetaFleurs News into a platform for interdisciplinary reporting, cultural analysis, and strategic commentary.

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