Arts

A Sold-Out Afternoon of Chamber Music Marks the End of Summer—and the Beginning of WMPA’s 55th Season

The Washington Metropolitan Philharmonic Association closes its 36th annual Lyceum Chamber Series and looks ahead to “Illuminate the Spirit.”

WMPA Piano Quintet. Photo by Ashley Greer with AI edit
WMPA Piano Quintet. Photo by Ashley Greer with AI edit

Alexandria, VA- On Sunday, August 30, the final notes of summer filled one of Old Town Alexandria’s most historic rooms as the Washington Metropolitan Philharmonic Association concluded its 36th annual LIVE at the Lyceum Summer Chamber Music Series.

The final performance was sold out, filling the intimate Alexandria History Museum at the Lyceum for an afternoon devoted to two substantial works for piano and strings: Amy Beach’s Piano Quintet in F-sharp Minor, Op. 67 and Johannes BrahmsPiano Quintet in F Minor, Op. 34.

The musicians for the afternoon were Sonya Hayes (violin) and Erin Ryan (violin), Stephanie Knutsen (viola), Christopher Fiore (cello )and John Sutherland Earle (piano).

Board member Donna Reuss greeting concert goers at the Lyceum. Photo: Ashley Greer
WMPA Board member, Donna Reuss greeting concertgoers at the Lyceum. Photo: Ashley Greer

Concertgoers were greeted as they arrived by WMPA Board member Donna Reuss, adding to the welcoming, neighborhood quality that has helped make the Lyceum concerts an Alexandria summer tradition.

The afternoon also marked an ending of another kind. It was Alexandria Living Legend Ulysses James’ final concert as WMPA Music Director Laureate, giving the conclusion of the summer series an added sense of occasion.

Ulysses James at WMPA final concert
Alexandria Living Legend, Ulysses James at WMPA final Summer concert. Photo: Ashley Greer

James greeted the audience one more time with his now-famous:

“Good afternoon.”

For those who have followed the series over the years, it was a familiar greeting, and on this particular Sunday, a poignant one.

The August 30 concert capped a season of weekly Sunday performances that began June 7 and brought chamber music to the Lyceum throughout the summer. The series is designed to make classical music unusually accessible: concerts are free and open to the public, with WMPA suggesting a $25 donation to support its programming.

That accessibility is part of a much larger musical operation. WMPA encompasses the Washington Metropolitan Philharmonic, youth orchestras, the Lyceum Chamber Series and community concerts, with a stated mission of educating young musicians, presenting orchestral and chamber music, and expanding audiences for classical music.

WMPA Summer Series comes to an end and performers take a bow. Photo: Ashley Greer
WMPA Summer Series comes to an end and performers take a bow. Photo: Ashley Greer

From Summer at the Lyceum to “Illuminate the Spirit”

While the August 30 performance closed the summer chapter, WMPA is already moving into its 55th season, appropriately titled “Illuminate the Spirit.”

The 2026–2027 Washington Metropolitan Philharmonic season expands to five concerts under Music Director Anna Binneweg, beginning Sunday, October 4 with “Myth & Majesty.” Violinist Robert McDuffie will join the orchestra for Philip Glass’ Violin Concerto No. 1, alongside Unsuk Chin’s Subito con Forza, Debussy’s Prélude à l’après-midi d’un faune and Respighi’s spectacular Pines of Rome.

The season continues December 12 with “Festival of Light,” featuring the Alexandria Choral Society and music by Jessie Montgomery, Aaron Copland, Ralph Vaughan Williams and Elaine Hagenberg. February 7 brings “Ritual & Renewal,” with works by Margaret Bonds, George Walker, Stravinsky and Ravel; March 21,  “Landscapes of the Spirit”features cellist Laura Metcalf and guitarist Rupert Boyd; and the season concludes May 23 with “Power & Possibility,”bringing the Washington Metropolitan Philharmonic and Washington Metropolitan Youth Orchestra together for a side-by-side performance.

The progression feels particularly fitting after an afternoon at the Lyceum. The August 30 audience demonstrated that classical music does not have to be remote or intimidating. It can happen on a Sunday afternoon in the middle of Old Town, in a historic building, with neighbors greeting one another at the door and musicians performing only a few feet away.

And judging by the sold-out final performance of the summer, Alexandria is still very happy to listen.

The LIVE at the Lyceum Summer Chamber Series will return in June 2027.

Washington Metropolitan Philharmonic Association — 2026–2027 Concerts & Tickets

Ashley Greer

Ashley Greer is a writer, floral designer, and geopolitical analyst whose work explores the intersection of culture, power, perception, and storytelling. She is the owner of Atelier Ashley Flowers, an invitation-only floral boutique known for immersive, one-of-a-kind floral installations, and the co-founder and creative visionary behind Art in Bloom DC, an annual exhibition pairing floral design with fine art. Raised with a deep connection to nature, Ashley spent her childhood building imaginary worlds outdoors—digging in the dirt, wandering through the woods, and creating spaces of beauty and wonder from the plants and trees around her. That same spirit continues to shape her creative philosophy today. As an artisan florist, she views flowers, foliage, and natural materials as transformative tools capable of creating intimate, emotionally resonant experiences. Each arrangement she designs is intended as a fleeting work of ephemeral fine art—crafted uniquely for the individual receiving it. A graduate of Pomona College, Ashley earned a degree in Art History with a minor in Media Studies in 2006. She spent more than two decades as an entrepreneur, creative director, and floral designer before expanding into journalism, strategic communication, and geopolitical analysis. Ashley is also the founder and editor of MetaFleurs News, a media platform dedicated to exploring the intersection of culture, politics, technology, and power. Drawing on her background in aesthetics, symbolism, media strategy, and visual storytelling, her writing examines political theater, military imagery, information warfare, perception management, and the narratives modern powers use to shape influence. Her reporting and commentary frequently focus on US-China-Taiwan relations, emerging technologies, military visual culture, nuclear energy, quantum science, extraterrestrial life, and the strategic importance of space exploration. At the same time, she has increasingly turned her attention to local journalism, writing feature stories on Alexandria community members, artists, small businesses, charitable initiatives, and cultural events, highlighting the people and moments that shape the character of the city she calls home. Ashley approaches both geopolitical analysis and community storytelling through the same lens: a belief that narrative, symbolism, and human connection shape how people understand the world around them. A mother of a 10-year-old and an active member of the Washington, D.C. spoken word community, Ashley continues to build her portfolio as a freelance writer while expanding MetaFleurs News into a platform for interdisciplinary reporting, cultural analysis, and strategic commentary.

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