Community News Alexandria Virginia

Old Town Mahjong Club Builds Community One Tile at a Time

Heather Johanson and Katherine May Schwartz are building connection, one tile at a time.

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Alexandria, VA – For Heather Johanson, it began with a class at Boxwood in Old Town — and a feeling she had not experienced in a long time.

“I instantly clicked with the people at my table,” she said. “It had been a long time since I had felt that strong pull of connection.”

That class also brought Johanson together with Katherine May Schwartz. The two Old Town residents wanted to keep playing American Mahjong, but they soon discovered there was no easy way to find a regular game nearby. So they created one.

Their Old Town Mahjong Club now welcomes experienced players, beginners and curious neighbors to free open-play gatherings designed around a simple idea: no one should need a set of tiles, a foursome or an established group of friends to have a seat at the table.

“Our goal is to build community and make Old Town feel like Cheers, where everyone knows your name,” Johanson said.

The club grew from a somewhat chaotic WhatsApp chat among friends, then took off after the founders posted on Facebook and Instagram. For Johanson and Schwartz, both the game and the social connection matter — but the people come first.

Mahjong Ladies
From left, Cathy, Barbara and Meredith enjoy an Old Town Mahjong Club open-play gathering, where neighbors can join a table without bringing their own set or a full foursome.
Photo: Old Town Mahjong Club.

“It can be hard to meet people and make friends,” Johanson said. “We wanted to change that.”

American Mahjong is having a broad cultural moment, with colorful tile sets, racks and mats filling social media feeds. But the game can also seem intimidating to newcomers, especially its annual National Mah Jongg League card, which lists the winning hands.

Schwartz said that learning through a 101 class made the game far less mysterious than trying to jump into a game with friends. Johanson points out that the annual card gives everyone a fresh start each spring.

Mahjong Set
Colorful tiles await play at an Old Town Mahjong Club gathering. Mahjong is generally believed to have originated in China in the 19th century — more than 150 years ago — before evolving into popular forms played around the world today.
Photo: Ashley Greer.

“When the new card comes out, the person who has been playing for 30 years and the person who has been playing for one year are both learning it for the first time,” she said.

The club’s approach is deliberately low-pressure. Open play is free, and players do not need to own tiles; members bring enough sets to share. Individuals are encouraged to come on their own, and even established foursomes are invited to split up occasionally to meet new people.

For someone who is shy about walking into a room full of strangers, that can sound daunting. Johanson understands.

“As an introvert, I was initially wary of splitting up tables or not sitting with someone I already knew,” she said. “However, I have grown to love it. Each time, I get to meet someone new in a setting that feels safe.”

Mahjong Tables
Players fill the tables for an Old Town Mahjong Club gathering on a Thursday evening at la Madeleine, at King and St. Asaph streets in Old Town Alexandria.
Photo: Old Town Mahjong Club.

The founders ask those who want to join gameplay to first take a Mahjong 101 class, but anyone is welcome to watch an open-play session. They are also developing beginner and next-step classes, along with guided play for people who know the basics but want help gaining confidence.

Above all, the club is meant to be welcoming — whether someone arrives in bike shorts, a favorite dress or with a messy bun and no idea where the jokers are.

“Your neighborhood table is waiting,” the founders said.

For information on open play and upcoming lessons, follow @oldtownmahjongclub on Instagram or visit oldtownmahjong.com.

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Ashley Greer

Ashley Greer is a writer, floral designer, and geopolitical analyst whose work explores the intersection of culture, power, perception, and storytelling. She is the owner of Atelier Ashley Flowers, an invitation-only floral boutique known for immersive, one-of-a-kind floral installations, and the co-founder and creative visionary behind Art in Bloom DC, an annual exhibition pairing floral design with fine art. Raised with a deep connection to nature, Ashley spent her childhood building imaginary worlds outdoors—digging in the dirt, wandering through the woods, and creating spaces of beauty and wonder from the plants and trees around her. That same spirit continues to shape her creative philosophy today. As an artisan florist, she views flowers, foliage, and natural materials as transformative tools capable of creating intimate, emotionally resonant experiences. Each arrangement she designs is intended as a fleeting work of ephemeral fine art—crafted uniquely for the individual receiving it. A graduate of Pomona College, Ashley earned a degree in Art History with a minor in Media Studies in 2006. She spent more than two decades as an entrepreneur, creative director, and floral designer before expanding into journalism, strategic communication, and geopolitical analysis. Ashley is also the founder and editor of MetaFleurs News, a media platform dedicated to exploring the intersection of culture, politics, technology, and power. Drawing on her background in aesthetics, symbolism, media strategy, and visual storytelling, her writing examines political theater, military imagery, information warfare, perception management, and the narratives modern powers use to shape influence. Her reporting and commentary frequently focus on US-China-Taiwan relations, emerging technologies, military visual culture, nuclear energy, quantum science, extraterrestrial life, and the strategic importance of space exploration. At the same time, she has increasingly turned her attention to local journalism, writing feature stories on Alexandria community members, artists, small businesses, charitable initiatives, and cultural events, highlighting the people and moments that shape the character of the city she calls home. Ashley approaches both geopolitical analysis and community storytelling through the same lens: a belief that narrative, symbolism, and human connection shape how people understand the world around them. A mother of a 10-year-old and an active member of the Washington, D.C. spoken word community, Ashley continues to build her portfolio as a freelance writer while expanding MetaFleurs News into a platform for interdisciplinary reporting, cultural analysis, and strategic commentary.

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